PDF-Bücher Drawing Lessons from the Great Masters: 45th Anniversary Edition (Practical Art Books), by Robert Beverly Hale
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Drawing Lessons from the Great Masters: 45th Anniversary Edition (Practical Art Books), by Robert Beverly Hale
PDF-Bücher Drawing Lessons from the Great Masters: 45th Anniversary Edition (Practical Art Books), by Robert Beverly Hale
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Synopsis
This instructive volume has been designed to help artists learn to draw by careful emulation of master works. The author methodically analyzes 100 famous drawings by such artists as Michelangelo, Raphael, Rembrandt and Watteau, and explains the principles of art exemplified by each sketch.
Über den Autor und weitere Mitwirkende
ROBERT BEVERLY HALE was the Curator of American Paintings and Sculpture at the Metropolitan Museum of Art, a world-renowned teacher at New York Student’s Art League for 40 years, and Adjunct Professor of Drawing and Lecturer on Anatomy at Columbia University. He also co-authored Anatomy Lessons from the Great Masters.
Produktinformation
Taschenbuch: 272 Seiten
Verlag: Watson-Guptill; Auflage: New ed (1. August 1989)
Sprache: Englisch
ISBN-10: 0823014010
ISBN-13: 978-0823014019
Größe und/oder Gewicht:
21 x 1,9 x 27,6 cm
Durchschnittliche Kundenbewertung:
4.6 von 5 Sternen
5 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 19.299 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Der Author erklärt an vielen klassischen, teil auch sehr bekannten Zeichnungen, einige Prinzipien des Zeichnens, wie z.B. Schattenverlauf, Position der Höhungen, Proportionen und deren Veränderung in der Perspektive.Die Vielzahl an Beispielen erfordert eine gewisse Ausdauer des Lesers. Nicht immer glücklich war ich über die Aufteilung des Buches (Zuerst eine Menge an Text, dann die jeweiligen Illustrationen dazu), welche viel "Blätterei" erforderlich macht.Insgesamt ein empfehlenswertes Buch in guter Qualität.
Drawing Lessons From the Great Masters is an art book that teaches by looking at the art fundamentals used by great art masters themselves ' Michelangelo, Leonardo Da Vinci, Rodin, Goya, Rembrandt, among others.There are 100 master drawings analysed by Robert Beverly Hale on the fundamentals such as line, light and planes, mass, position and thrust, and anatomy. These are all figure drawings. Each illustration is printed full on one page with a certain section selected for analyzing on the next. The commentary is simple and concise, providing great insight to what these artists were thinking. Many of these pieces are really sketches but when you realised the thought put behind every stroke and what the artist was trying to show, you'll instantly be enlightened.At the end of this book, even if you can't draw yet, you'll be able to identify the difference between a good and bad drawing. And when you draw, you'll remember the principles.This is a really useful and inspirational reference book, great for beginner to advanced artists.Robert Beverly Hale has also authored Anatomy Lessons From The Great Masters, which uses the same teaching style here but focusing on anatomy drawings.(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
Ich besitze viele Bücher über Kunst und Techniken. Die meisten verstauben im Regal, dieses Buch habe ich _sehr_ häufig in der Hand gehabt:- der Autor wirkt seriös, sympathisch und kompetent- der Inhalt ist sinnvoll und lehrreich- gute Qualität der vielen Abbildungen (alle Schwarz/Weiß)- Erläuterungen, was auf dem jeweiligen Bild das Besondere ist- das Buch selbst liegt gut in der Hand, Softcover, knapp DIN A4- Preis ist OkWenn ich ein Buch über künstlerische Anatomie mit "auf die Insel" nehmen müsste, wäre es dieses.
this is a wonderful must buy book by robert beverly hale , renowned art teacher,his understanding of the works of the great masters is truly astounding. what you can get from this book? all artists who wish to become masters of drawing the human figure can find a system to grade yourself for your entire lifetime compared to the great masters.that means you will never be easily satisfied by your own work, and you have the luxury of studying from a vast collection of drawings from almost all the well- known figure artists of the last six hundred years.each artist has his own strength and weakness . hale has very intelligently pointed out the strengths but misses out on the weaknesses thats where you got to have many more books on anatomy and drawing to cross refer and also finally you have to try identifying these strenghts and putting them down in your style while doing life drawing or imaginary drawing. you have to understand that we are at an advantage compared to all the artists featured in this book(even though hale would like you to beleive otherwise) because of the vast resources available to us in the form of great master works and anatomy books ,medical and artistic.buy this book and chart the path to great figure drawing. finally i beleive that its possible to acheive unparalled success at figure drawing through regular training in a systematic manner.anyone with any questions can email me .im an animator and an advanced student of figure drawing.
This wonderful book by R.B.Hale is one of the most profound works ever written concerning not just classical life drawing but also the principles underpinning all good drawing. I am a working artist,illustrator and drawing teacher who studied at one of the few really good traditional art schools in the world (we did nothing else but draw and paint the figure, the plaster cast and still lives), and this book was recommended as a worthy text. At first I ignored it because of one silly remark old Robert Beverley makes on the first page where he states that he supposed that there is no one living today who could draw as well as the worst artist included in his book. I felt that this was absolute codswallop, and still do, but once I gave him a chance to speak he completely changed my understanding!Many people feel that if you can copy something exactly as you see it then you are an accomplished artist. This might be true in this era where drawing is hardly the number one subject in school. The beauty of Hales book is that he expounds the subtle and brilliant secrets of masters of the past, most of whom came from a time pre-camera, when drawing and consequently painting was a true science, a deep and profound study of 3D form, underlying anatomy, exquisite subtleties of tonal light CREATED IN THE ARTISTS HEAD and not neccessarily what was seen ( real light moves constantly anyway!)So, if you are a dedicated and passionate art student or artist who is prepared to humble yourself and really learn to draw, then this book and indeed all of R.B.Hales books including his 'Artistic Anatomy' with Paul Richer is for you. Please feel free to write to me with any questions regarding classical drawing.
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